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Zoom: Bamboozling Ourselves (Part 7)

Posted: June 5th, 2009, 12:48am EDT by By ERROL MORRIS

What makes a work of art "great"? The final installment of a seven-part tale of the Nazi-era Vermeer forgeries of Han van Meegeren.

zoom: Bamboozling Ourselves (Part 5)

Posted: June 3rd, 2009, 8:03pm EDT by By ERROL MORRIS

What makes a work of art "great"? The fifth installment of a seven-part tale of the Nazi-era Vermeer forgeries of Han van Meegeren.

Zoom: Bamboozling Ourselves (Part 3)

Posted: June 1st, 2009, 10:58am EDT by By ERROL MORRIS

What makes a work of art "great"? The third installment of a seven-part tale of the Nazi-era Vermeer forgeries of Han van Meegeren.

zoom: Bamboozling Ourselves (Part II)

Posted: May 29th, 2009, 8:28pm EDT by By ERROL MORRIS

What makes a work of art "great"? The second installment of a seven-part tale of the Nazi-era Vermeer forgeries of Han van Meegeren.

Zoom: Bamboozling Ourselves (Part 1)

Posted: May 28th, 2009, 11:58am EDT by By ERROL MORRIS

What makes a work of art "great"? The first installment of Errol Morris's seven-part tale of the Nazi-era Vermeer forgeries of Han van Meegeren.

Zoom: Mirror, Mirror on the Wall

Posted: January 26th, 2009, 12:30am EST by By ERROL MORRIS

A last, lingering look back at George W. Bush's presidency with three people who helped create a photographic record of it -- and who here choose their favorite images.

Zoom: Cartesian Blogging, Part 3

Posted: November 14th, 2008, 6:43pm EST by By ERROL MORRIS

Responses to readers' comments on a photography column, with discussions ranging from Edgar Allan Poe to Wile E. Coyote.

Zoom: People in the Middle

Posted: October 29th, 2008, 1:08am EDT by By ERROL MORRIS

The filmmaker’s informal survey of political advertising through the years, with a focus on “real-people” commercials.

Zoom: Photography as a Weapon

Posted: August 12th, 2008, 1:18pm EDT by By ERROL MORRIS

An examination of a fake photograph of Iranian missiles, and of the many means of visual deception in the age of Photoshop.

Photo-Op: Believing Is Seeing

Posted: July 13th, 2008, 1:18am EDT by By ERROL MORRIS

Digitally altered photographs can easily fool the eye, but they often leave telltale footprints that allow them to be unmasked as forgeries.

Photo-Op: Believing Is Seeing

Posted: July 13th, 2008, 1:18am EDT by By ERROL MORRIS

Digitally altered photographs can easily fool the eye, but they often leave telltale footprints that allow them to be unmasked as forgeries.

Zoom: Cartesian Blogging, Part Two

Posted: June 10th, 2008, 5:58pm EDT by By ERROL MORRIS

The filmmaker responds to comments from readers on his two essays on the dilemmas of using re-enactments in documentaries.

Zoom: The Most Curious Thing

Posted: May 21st, 2008, 3:48am EDT by By ERROL MORRIS

The author examines an iconic photograph from Abu Ghraib and how it aided and abetted a miscarriage of justice.

Zoom: Play It Again, Sam (Re-enactments, Part Two)

Posted: April 16th, 2008, 12:49pm EDT by By ERROL MORRIS

A discussion of continuity in film — “Casablanca,” “That Obscure Object of Desire” — and in life.

Zoom: Play It Again, Sam (Re-enactments, Part Two)

Posted: April 11th, 2008, 11:56pm EDT by By ERROL MORRIS

A discussion of continuity in film — “Casablanca,” “That Obscure Object of Desire” — and in life.

Zoom Blog: Play It Again, Sam (Re-enactments, Part Two)

Posted: April 11th, 2008, 5:58pm EDT by By ERROL MORRIS

A discussion of continuity in film — “Casablanca,” “That Obscure Object of Desire” — and in life.

Zoom: Play It Again, Sam (Re-enactments, Part Two)

Posted: April 10th, 2008, 10:08pm EDT by By ERROL MORRIS

A discussion of continuity in film — “Casablanca,” “That Obscure Object of Desire” — and in life.

Zoom: Play It Again, Sam (Re-enactments, Part One)

Posted: April 5th, 2008, 1:18am EDT by By ERROL MORRIS

Is the use of re-enactments in documentaries directorial fraud, or a tool for cinematic truth?

Zoom: Play It Again, Sam (Re-enactments, Part One)

Posted: April 3rd, 2008, 11:58pm EDT by By ERROL MORRIS

Is the use of re-enactments in documentaries directorial fraud, or a tool for cinematic truth?

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Items by By ERROL MORRIS

Posted: June 5th, 2009, 12:48am EDT by By ERROL MORRIS

Posted: June 3rd, 2009, 8:03pm EDT by By ERROL MORRIS

Posted: June 1st, 2009, 10:58am EDT by By ERROL MORRIS

Posted: May 29th, 2009, 8:28pm EDT by By ERROL MORRIS

Posted: May 28th, 2009, 11:58am EDT by By ERROL MORRIS

Posted: January 26th, 2009, 12:30am EST by By ERROL MORRIS

Posted: November 14th, 2008, 6:43pm EST by By ERROL MORRIS

Posted: October 29th, 2008, 1:08am EDT by By ERROL MORRIS

Posted: August 12th, 2008, 1:18pm EDT by By ERROL MORRIS

Posted: July 13th, 2008, 1:18am EDT by By ERROL MORRIS

Posted: July 13th, 2008, 1:18am EDT by By ERROL MORRIS

Posted: June 10th, 2008, 5:58pm EDT by By ERROL MORRIS

Posted: May 21st, 2008, 3:48am EDT by By ERROL MORRIS

Posted: April 16th, 2008, 12:49pm EDT by By ERROL MORRIS

Posted: April 11th, 2008, 11:56pm EDT by By ERROL MORRIS

Posted: April 11th, 2008, 5:58pm EDT by By ERROL MORRIS

Posted: April 10th, 2008, 10:08pm EDT by By ERROL MORRIS

Posted: April 5th, 2008, 1:18am EDT by By ERROL MORRIS

Posted: April 3rd, 2008, 11:58pm EDT by By ERROL MORRIS